This past November 2018, Camerata Nova performed Fallen, the second concert in our Truth and Reconciliation series. Here’s what Camerata Nova’s Artistic Director, and Fallen composer, Andrew Balfour, had to say about it.
About three years ago, I became fascinated with the idea of marking the 100th anniversary of the end of World War I with a mini-opera on the founding of the 107th Timber Wolf Battalion in 1915. It’s an amazing story about 1000 men, half settler and half indigenous, who fought together in some of the most famous battles of the Great War.
I Went to War / Poni pimacisiwin (the end of living) is an excerpt from Notinikew (Going to War) by Andrew Balfour with soloist and narrator Andrew Balfour, traditional Ojibway drummer-singer Cory Campbell, cellist Cris Derksen and the Winnipeg Boys’ Choir
At the same time as this was percolating, Camerata Nova decided to create a Truth and Reconciliation concert series, lasting over a number of years. Each concert has a theme that resonates with Canadian indigenous experience and, over the series, we are inviting a range of incredible indigenous artists to collaborate with us. Our first T&R concert was Taken, performed in Winnipeg and Ottawa in 2017, featuring Cree hip hop artist Lindsay Knight (Eekwol) and recent Polaris winner Jeremy Dutcher.
Fallen is our second. It has evolved in a fascinating way. On one hand, I have been delving into the other-world, terrifying experiences that Cree and Ojibway warriors in the Timber Wolves must have experienced in WWI, having no idea what it meant to enlist or why or how they came to be in the midst of the mud and gas in Europe.
On the other hand, as I read literature and poetry from ordinary individuals in Europe at the time, I was also deeply touched by the profound helplessness and sadness they felt as their sons, brothers – and themselves – fell victim to such prolonged, useless and outrageous slaughter.
Fallen is a deeply felt anti-war concert, not just focussed on “the war to end all wars” but on those before, those after and, tragically, on the wars yet to come.
Kakichiwewan is an excerpt from Notinikew (Going to War) by Andrew Balfour with soloist and narrator Andrew Balfour, traditional Ojibway drummer-singer Cory Campbell, cellist Cris Derksen and the Winnipeg Boys’ Choir
There is no better way to open this concert than with a traditional Prayer Song from Ojibway friend and Song Keeper, Cory Campbell. He performs with a straightforward purity, humility and strength that grounds and guides me as I straddle settler and indigenous worlds. Thank you, Cory, for your openness, your help with language and the example you set for how I should approach my music and my life.
Notinikew: I wrote this work over the summer while I was in St. John’s Newfoundland, then Toronto, then Temagami in Northern Ontario and, finally, in the Herdsman House Artist Retreat in Neubergthal, south of Winnipeg. It’s been quite a journey – in all senses. My original idea was to write a partly fictional mini opera about the story of the Timber Wolves, but this morphed into a more abstract choral drama. Scored for adult choir, treble choir, baritone solo/performance artist, cello and traditional drummer-singer, Notinikew is an anti-war piece, an indigenous identity piece – a tragedy that speaks not just about World War I, but all wars and all indigenous soldiers.
Why did these Indigenous warriors leave our forests and plains to enter a totally foreign military world and end up fighting in the midst of a true hell on earth? It’s very difficult to find good source material. I’ve been studying old pictures and gleaning the odd article, but I’ve also used my imagination to express the experience/feelings of people I’ve never met with as much integrity and respect as I can. I think of the shock, disorientation and horror that would have marked these men for their entire lives. I think also of their re-entry to Canada. As skilled sappers and snipers, they were accepted and respected by their white counterparts. When they returned home, they went back to the degrading label of “Indian”, receiving none of the benefits or recognition of other Canadian soldiers. Plus, they were often ostracized by their own communities because they had taken the side of the government. As the Narrator says near the end of Notinikew: “Where is our place in your history? Where?”
Notinikew was difficult to write but also magical and important. It is an honour to try, in my own way, to tell the stories of our people. In addition to Cory, my guide and compass, I want to thank Cris Derksen who is so talented and creative – this collaboration has been so much fun, and I think it’s just the start… Also, I could not do these ambitious projects without Mel Braun. He “gets” me and what we are trying to do and has respect for all around him. He is not afraid of experimentation and undefined elements and magically, calmly pulls it all together.
Finally, Notinikew is dedicated to my partner, Sara Roque, and her Richardson family. You have opened your doors and opened up my life. You have given me a new, powerful understandings of what it means to be indigenous. Best of all, you have given me patience and love. – Andrew Balfour, October 27, 2018