Giving Tuesday

Give the joy of music this giving season…

Tuesday, November 27, 2018, is Giving Tuesday, the international philanthropic movement that unites communities to bring about real change by encouraging people and charities to work together.

We are proud to count you among our valued partners. Music lovers from all over recognize Camerata Nova, vocal group without fear, as one of our community’s most prized musical institutions. Since 1996, we’ve continued to push the envelope, offering early music performances, premiers of Manitoba compositions, and an eclectic array in between.
 
The impact of your support is truly extraordinary. With your help, for the past three years, Camerata Nova’s artistic director, Andrew Balfour, who is of Cree descent, has been able to bring the gift of music north to the smaller, more remote schools that do not have formal music education programs, and teach students there how to create and perform their own soundscapes to describe their community, their family or the land around them.
 
And thanks to you, Camerata Nova is presenting outstanding performances season after season, including a multi-year series of truly impactful truth and reconciliation concerts. Whether supporting our outreach efforts, programming or operations, you make it all happen! Your tax-deductible donation to Camerata Nova brings about real and lasting change.
 
What difference are YOU making this giving season? Please consider Camerata Nova for a donation today. Your end-of-year support will help empower hundreds of students this school year, enabling these children to express themselves through the joy of music.

   
Offrez la joie de la musique en cette saison de générosité….
 
Le mardi 27 novembre 2018, c’est « Mardi, je donne », le mouvement philanthropique international qui unit les communautés dans le but d’apporter de réels changements en encourageant les gens et les organismes de bienfaisance à travailler ensemble.
 
Nous sommes fiers de vous compter parmi nos précieux partenaires. Les mélomanes de partout reconnaissent Camerata Nova, groupe vocal intrépide, comme l’une des institutions musicales les plus prisées de notre communauté. Depuis 1996, nous n’avons cessé de repousser les limites de son répertoire, offrant des prestations de musique ancienne, des premières de compositions manitobaines et un assortiment des plus éclectiques entre les deux.
 
L’impact de votre soutien est vraiment remarquable. Avec votre aide, depuis trois ans, le directeur artistique de Camerata Nova, Andrew Balfour, qui est d’origine crie, a été en mesure d’apporter le don de la musique dans des écoles plus petites et plus éloignées  qui n’ont pas de programmes officiels d’éducation musicale et d’enseigner aux élèves comment créer et interpréter leur propre paysage sonore pour décrire leur communauté, leur famille ou la terre qui les entoure.
 
Et grâce à vous, Camerata Nova présente des concerts exceptionnels, saison après saison, y compris une série pluriannuelle de concerts saisissants sur le thème de la vérité et de la réconciliation qui ont eu un véritable impact. Qu’il s’agisse d’appuyer nos activités de rayonnement, de programmation ou d’exploitation, c’est vous qui faites en sorte que tout se concrétise! Votre don déductible d’impôt à Camerata Nova apporte un changement réel et durable.
 
Quel impact avez-VOUS en cette saison de générosité? Veuillez envisager de faire un don à Camerata Nova aujourd’hui. Votre soutien de fin d’année aidera des centaines d’élèves à s’exprimer à travers la joie de la musique au cours de cette année scolaire.

Click here to find out more about donating to Camerata Nova and other fantastic charities today.

Upcoming Concerts

Following successful back-to-back performances of our concert Fallen, Camerata Nova has a quick turnaround with a free Santa Clause Parade Day Concert at the Manitoba Hydro Building (Nov 17), as well as A Concert in Benefit of Sistema Winnipeg (Nov 18). Read more below.

Santa Claus Parade Day Concert

Saturday, November 17, 2018 at 2:30 pm in the Atrium of the Manitoba Hydro Building – A light holiday concert led by conductor Vic Pankratz to get you in the spirit before watching the Winnipeg Santa Claus Parade. Enjoy cookies and hot chocolate at this free concert in the Atrium of the Manitoba Hydro Building. Our free performance features Christmas classics, Camerata Nova originals, as well as some sing-alongs.
The event is supported by Manitoba Hydro

A Concert in Benefit of Sistema Winnipeg

Sunday, November 18, 2018 at 2:00 pm, at St. John’s College, University of Winnipeg – This concert in benefit of Sistema Winnipeg will feature the Sistema students in their first public performance of the 2018 – 2019 season. Sistema Winnipeg is an intensive after-school program that uses orchestral music to serve children with the fewest resources and the greatest need. The concert will also feature the innovative choral music of Camerata Nova. The event is hosted by Winnipeg Symphony Orchestra Resident Conductor, Julian Pellicano and held at the St. John’s College Chapel, University of Manitoba, 92 Dysart Road on Sunday November 18 at 2:00 pm. Tickets are $40 for adult and $15 for students and children. Help us to help this innovative inner-city music program.

Reception and Silent Auction to follow the concert.

For more info and to purchase tickets, please visit Sistema Winnipeg.

Fallen: From a Singer’s Point of View – Dr. Liz Przybylski

Before the band started to play, the director came to the mic to prepare the audience for what we were about to hear. The players on stage were about to begin their version of an armed forces salute. The director invited those of us seated in the concert hall to stand if we or a family member served in the branch of the armed services when we heard the corresponding anthem. Dozens of college students picked up their instruments, and the band began to play. With my fellow audience members, I turned to see men and women stand around me in the hall, the audience applauding service members past and present and their families. This salute, the director explained, was a way for the band at my city’s local college to pay tribute to veterans. It’s something I’ve heard before here where I live in the U.S., but the timing resonated with me as I’d never experienced before: we had convened to raise money and support for local people experiencing homelessness.

Why a military salute at a concert for those in our community who are not stably housed? Veterans are represented in significant numbers among people who lack stable housing. In that concert hall, I felt the discomfort of the juxtaposition of the audience’s desire to honor veterans even as we have a way to go in terms of providing material and social supports to individuals who served in the armed forces.

At the First World War centenary, concerts and events are being staged to honor veterans throughout Canada, the U.S., and around the world. Yet, how many of these programs encourage us also to act and reflect in response to how veterans were and are treated upon their return home?

I felt that question strongly when I was in the audience at a concert hall. Group music making generates a reflective space in which these questions can resonate. It’s fitting then to listen for another concert space that offers an opportunity to work through answers.

This November, Camerata Nova will be performing Andrew Balfour’s new work “Notinikew.” In collaboration with conductor Mel Braun, pop ‘cellist Cris Derksen, Drummer/singer Cory Campbell, the Winnipeg Boys’ Choir, and an ensemble of vocalists, Balfour will share a musical story that sits between reverence and responsibility. While acknowledging the service of Indigenous veterans such as Sergeant Tommy Prince, “Notinikew” will let us ask ourselves, what might it mean for Indigenous young people to have signed up to fight for their country, and then returned home second-class citizens? This piece, while historical in nature, has us face contemporary questions: Where are we in our journey towards remembering Indigenous individuals among the canon of Canadian historical greats? What has – and has not—changed in the past hundred years in the relationships between First Nations and the Canadian state, and what work needs to be done?

I was honored to sing with Camerata Nova when Balfour first presented “Take the Indian” at the New Music Festival in 2015 and later at the Canadian Museum for Human Rights. This composition in many ways sparked the three-part series of concerts that serves as the ensemble’s response to the Calls to Action of the Truth and Reconciliation Commission. I’ll be in the audience at the concert Fallen this November 3rd and 4th, ready to listen to Camerata Nova’s reflection on service, responsibility, and community. As in the concert I heard this past weekend, I’ll also be ready to ask myself, what can I do to move us together towards fulfilling our collective responsibility towards each other? I hope you’ll join me.

An Assistant Professor of Ethnomusicology at the University of California, Riverside, hip hop scholar Dr. Liz Przybylski specializes in Indigenous popular music practices in Canada and the United States. A graduate of Bard College (BA) and Northwestern University (MA, PhD), Liz has presented her research nationally and internationally. Her recent publications have appeared in Ethnomusicology, Journal of Borderlands Studies, IASPM@Journal, and others. She teaches courses on Indigenous music, popular music, ethnographic methods, and gender studies. In addition to her university teaching, Liz has taught at the American Indian Center in Chicago, hosted the world music show “Continental Drift” on WNUR in Chicago, and has conducted interviews with musicians for programs including “At The Edge of Canada: Indigenous Research” on CJUM in Winnipeg. Liz serves as the Media Reviews Editor for the journal American Music.

Dr. Liz Przybylski

An Assistant Professor of Ethnomusicology at the University of California, Riverside, hip hop scholar Dr. Liz Przybylski specializes in Indigenous popular music practices in Canada and the United States. A graduate of Bard College (BA) and Northwestern University (MA, PhD), Liz has presented her research nationally and internationally. Her recent publications have appeared in Ethnomusicology, Journal of Borderlands Studies, IASPM@Journal, and others. She teaches courses on Indigenous music, popular music, ethnographic methods, and gender studies. In addition to her university teaching, Liz has taught at the American Indian Center in Chicago, hosted the world music show “Continental Drift” on WNUR in Chicago, and has conducted interviews with musicians for programs including “At The Edge of Canada: Indigenous Research” on CJUM in Winnipeg. Liz serves as the Media Reviews Editor for the journal American Music.

Meet Some of the Amazing Singers Who Will be Joining us for our Fallen Concert

 

from top left: Ben Sellick, Jane Fingler, John Anderson, Kathleen Murphy

Camerata Nova, and the Manitoba choir community as a whole, are so lucky to have access to some of the best talent in the country. Ben Sellick, Jane Fingler, John Anderson, and Kathleen Murphy are just four of the 14 amazing singers who’ll be joining us this weekend (Nov 3-4) for our concert Fallen, taking place at the Crescent Fort Rouge United Church.

Fallen performers include Artistic Director / Directeur artistique, Andrew Balfour; Sopranos: Jane Fingler, Sarah Sommer, Brittany Mielnichuk, Sydney Clarke; Altos: Donnalynn Grills, Angela Neufeld, Kathleen Murphy; Tenors: Scott Reimer, Andrew Thomson, Dave Sawatzky; Basses: Alan Schroeder, Ben Sellick, John Anderson, George Bajer-Koulack; Featured Artists: Cris Derkesen, Cory Campbell; as well as the Winnipeg Boys’ Choir.

Ben Sellick grew up playing music, traveling, and watching movies. He went to the University of Manitoba, where he studied piano and film. First with Elroy Friesen, and then under Michael Zaugg, Ben began singing and writing choral music, receiving his first major compositional premiere by Pro Coro Canada in their 2017-2018 season. Ben likes the colour orange, olive oil, wool socks, lakes, film music, El Greco, and podcasts.

Jane Fingler is a Winnipeg based Soprano who has has the pleasure of singing in Camerata Nova for the past seven seasons. She also sings in other Winnipeg based choral groups Polycoro and Canzona, performing music old and new, appearing as a soloist as well as an ensemble member. Jane teaches voice lessons, tries to write music sometimes and loves to sing and perform pop/folk music that have great harmonies! She loves being a part of the Camerata Family! <3

Born and raised in Winnipeg, John Anderson has been a lifelong lover of singing. With a passion for choir, theatre and composition, John has recently graduated from the University of Manitoba Desautels Faculty of Music and is excited to now begin making music and telling stories more widely in the Winnipeg community.

Kathleen Murphy is a mezzo-soprano & pianist from Winnipeg, Manitoba.  She is currently completing her degree in undergraduate piano at the University of Manitoba with David Moroz, and pursues vocal studies with Mel Braun.  She has performed in concerts, masterclasses, & festivals as a vocalist, pianist, and choir member. Kathleen also has a passion for music theory & history, and is planning to pursue a post baccalaureate degree in vocal performance.

TICKETS

*Tickets are available from our website, at McNally Robinson Booksellers, by phone (204-918-4947), or at the door. Two- or three-concert subscriptions ($35 to $125) for Camerata Nova’s 2018-2019 season are also available. See cameratanova.com for details.

DONATE

Camerata Nova is a registered not-for-profit charitable organization. Exploring, taking risks, and developing exciting new programming, takes time, energy, and money.

Click here to find out more about donating.

Fallen: A Truth and Reconciliation Concert

Camerata Nova’s landmark concert series highlighting truth and reconciliation with the Indigenous peoples of Canada is returning this November with Fallen, the second of three concerts designed by artistic director and composer Andrew Balfour. As with many trilogies, you don’t need to have seen the first to appreciate the second.

Andrew Balfour leading a rehearsal with the Winnipeg Boys’ Choir

Fallen will be presented on Nov. 3 and 4. The first of the series, Taken, premiered on March 4 and 5, 2017 in Winnipeg before moving out east to be performed in the National Arts Centre’s Canada 150 Festival in June.

Taken – which featured Polaris Prize-winning artist Jeremy Dutcher, hip hop artist Eekwol from Muskoday First Nation in Saskatchewan, CBC reporter and throat singer Madeleine Allakariallak and cellist Leanne Zacharias with Camerata Nova’s chamber choir – received praise for being “innovative, inclusive and thoroughly engaging” (ARTSFILE). It dealt with the subject of Indigenous children being taken from their homes and the stripping of their culture by residential schools.

Fallen continues the conversation of truth and reconciliation with the Indigenous peoples of Canada by exploring the contributions of Indigenous soldiers in the First World War, featuring a choral drama entitled Notinikew (He who takes part in war), written by Balfour. This time around, Camerata Nova will be joined by Indigenous cellist Cris Derksen, traditional drummer and singer Cory Campbell and the Winnipeg Boys’ Choir. The concert, conducted by Mel Braun, will also feature Requiem, a piece by English composer Herbert Howells on the death of his young son.

Balfour’s inspiration for Notinikew was sparked by his love of history, particularly the European wars. “While Indigenous individuals of Canada have fought in every major conflict from the War of 1812 to Afghanistan, they were rewarded for their contributions to WWI by being denied benefits and forbidden to leave their reserves,” said Balfour.

The motivations as to why Indigenous people would fight for a country that eradicated their culture fascinated Balfour. “All war is insanity”, said Balfour. “I wanted to do an anti-war piece, but also question why Indigenous people would go and fight in that war, and what would drive them to sign up and travel overseas and fight in the bloodiest conflict ever at that time.”

“Maybe they went to fight to better their cause at home; maybe they thought if they fought for Canada that our country would reward them with giving them their ceremony or language back. Maybe they had a sense of honour. Maybe they wanted adventure.”

Balfour founded Camerata Nova in 1996 to explore early music – sparked by his love for Renaissance and medieval works – but it wasn’t until years later that he began composing his own music and exploring the power of Indigenous music.

Balfour was a victim of the Sixties Scoop, taken from his Cree family at a young age and placed in the home of an Anglican priest. While he says his home was loving and supportive, it disconnected him from his people, his culture and his music. Through writing pieces for Camerata Nova and researching Indigenous cultures, Balfour rediscovered a part of his identity and learned to embrace his people’s music.

“I didn’t know anything about my language or my heritage, so it’s a process,” said Balfour. “It’s a very important way of reclaiming a lost identity.”

For Sandi Mielitz, president of Camerata Nova’s board of directors, watching Balfour grow as an artist and embrace his identity has been a rewarding experience.

“I’ve seen a guy with a huge amount of musical talent who then took it and learned how to not only evolve his music into something more and more sophisticated and abstract, but also evolve his whole identity,” said Mielitz.

While the struggles and triumphs of the Indigenous peoples of Canada can be researched through spoken and written works, Balfour and Mielitz agree that music provides another layer of connection for audiences to understand their experiences.

“When a story is told in music, it touches you in a way that dry facts just simply don’t,” said Mielitz. “All of the arts have a way of touching you and emotionally engaging you in experiencing stories.”

“The legacy of storytelling is so important, and I feel that the power of music or word or dance or visual arts are really important for people to either heal or explore their own wounds and legacies through art,” Balfour agreed. “The idea of doing these call-to-action concerts has been very important for myself as an artist and our community.”

Camerata Nova’s rehearsals are well underway, and for Balfour, the journey from looking at notes on a computer screen to hearing them sung live by the full chamber choir is an exciting one.

“It takes a lot of work, but we have an amazing organization and we have people, mostly non-Indigenous, that realize the importance of this, and that’s the country that I want to live in,” said Balfour. “Where people are healing or helping the healing or listening, because that’s really the most important thing. Particularly politicians – they need to listen.”

Fallen takes place at 7:30 pm on Nov. 3 and at 3 pm on Nov. 4 at Crescent Fort Rouge United Church (corner of Nassau and Wardlaw), with pre-concert talks 45 minutes before both shows*. The third and final concert of the series, Captive – a piece on Indigenous peoples’ incarceration – will be presented in 2020.
-Graeme Houssin

TICKETS

*Tickets are available from our website, at McNally Robinson Booksellers, by phone (204-918-4947), or at the door. Two- or three-concert subscriptions ($35 to $125) for Camerata Nova’s 2018-2019 season are also available. See cameratanova.com for details.

DONATE

Camerata Nova is a registered not-for-profit charitable organization. Exploring, taking risks, and developing exciting new programming, takes time, energy, and money.

Click here to find out more about donating.

‘Fallen’ is the Second Concert in a Trilogy Dedicated to Truth and Reconciliation

Artistic Director Andrew Balfour and the Camerata Nova team continue to innovate and celebrate choral music with ‘Fallen’ (Nov 3-4, 2018), the second concert in a trilogy dedicated to truth and reconciliation.

Composer, and Camerata Nova’s Artistic Director, Andrew Balfour, puts the finishing touches on Fallen (Nov 3-4) at the Herdsman’s House in Neubergthal, Manitoba.

Fallen – November 3, 2018 at 7:30 pm and November 4, 2018 at 3:00 pm at Crescent Fort Rouge United Church (Pre-concert talks at 6:45 pm on Saturday and 2:45 pm on Sunday)

Experience the poignant drama of a Manitoba Indigenous hunter/trapper who signs up to fight in World War I. Join conductor Mel Braun and composer/singer/Artistic Director Andrew Balfour with Indigenous cellist Cris Derksen, traditional drummer/singer Cory Campbell and the Winnipeg Boys’ Choir, among other guest artists. Beauty and drama that is 100 years young. This concert also features Herbert Howells’ Requiem, a masterwork on the death of his son.

Fallen is the second concert in a series dedicated to truth and reconciliation. In 2020, look for our third concert, Captive, expressing the power and sadness of Indigenous incarceration.

About Andrew Balfour
Of Cree descent, Andrew Balfour has written a body of more than 30 choral, instrumental and orchestral works, including the chamber opera Mishabooz’ Realm, Take the Indian, Empire Étrange: The Death of Louis Riel, Migiis: A Whiteshell Soundscape, Bawajigaywin, Gregorio’s Nightmare, Wa Wa Tey Wak (Northern Lights), Fantasia on a Poem by Rumi, Missa Brevis and Medieval Inuit. He has been commissioned by the Winnipeg, Regina and Toronto Symphony Orchestras, L’Atelier Lyrique de l’Opéra de Montréal, Ensemble Caprice of Montreal, Highlands Opera Workshop, Winnipeg Singers, Kingston Chamber Choir and Camerata Nova, among many others.  His choral works have been published by Cypress Choral Music and CNova Publishing and have been performed and/or broadcast locally, nationally and internationally.

Andrew is also the founder and Artistic Director of the innovative, 14-member vocal group Camerata Nova, now in its 23nd year of offering a concert series in Winnipeg.  With Camerata Nova, Andrew specializes in creating “concept concerts”, many with indigenous subject matter (Wa Wa Tey Wak (Northern Lights), Medieval Inuit, Chant!).  These innovative offerings explore a theme through an eclectic array of music, including new works, arrangements and innovative inter-genre and interdisciplinary collaborations.

Andrew has become increasingly passionate about music education and outreach, particularly on northern reserves and inner city Winnipeg schools where he has worked on behalf of the National Arts Centre, Camerata Nova, the Winnipeg Symphony Orchestra and various Winnipeg school divisions for the past eight years.

Andrew was Curator and Composer-in-Residence of the WSO’s Indigenous Festivals in 2009 and 2010 and in 2007 received the Mayor of Winnipeg’s Making a Mark Award, sponsored by the Winnipeg Arts Council to recognize the most promising midcareer artist in the City.  In 2017, he was awarded a Gold Medal by the Senate of Canada for his contribution to Canada’s indigenous and music communities.

TICKETS

Tickets for individual concerts are available at McNally Robinson Booksellers, by phone (204-918-4547), through our website, or at the door. Subscriptions (three concerts) are $65 (adults), $55 (seniors) and $35 (under 30), with a subscriptions-for-two offering at $125, $105 and $65 respectively. This season, two-concert mini-packages are also available ($35, $30, $20, or for two, $65, $55, $35). Individual ticket prices available on our website.

DONATE

Camerata Nova is a registered not-for-profit charitable organization. Exploring, taking risks, and developing exciting new programming, takes time, energy, and money.

Click here to find out more about donating.

Celebrated Indigenous Cellist/composer, Cris Derksen, Joining us for “Fallen”

Cris Derksen is a celebrated Indigenous cellist/composer known for building layers of sound into captivating performances. Originally from Northern Alberta, Cris has a line of chiefs from North Tall Cree reserve on her father’s side and a line of strong Mennonite homesteaders on her mother’s side. Her music braids the traditional and contemporary in multiple dimensions, weaving her traditional classical training and her Aboriginal ancestry with new school electronics, creating genre-defying music. For Fallen, Cris will be joined by traditional drummer/singer Cory Campbell and the Winnipeg Boys’ Choir, among other guest artists. Read more…

Fallen is the second concert in a series dedicated to truth and reconciliation. In 2020, look for our third concert, Captive, expressing the power and sadness of Indigenous incarceration.

TICKETS

Tickets for individual concerts are available at McNally Robinson Booksellers, by phone (204-918-4547), through our website, or at the door. Subscriptions (three concerts) are $65 (adults), $55 (seniors) and $35 (under 30), with a subscriptions-for-two offering at $125, $105 and $65 respectively. This season, two-concert mini-packages are also available ($35, $30, $20, or for two, $65, $55, $35). Individual ticket prices available on our website.

Donate

Camerata Nova is a registered not-for-profit charitable organization. Exploring, taking risks, and developing exciting new programming, takes time, energy, and money.

Click here to find out more about donating.

Camerata Nova’s 2018-2019 Season

From an early music mystery to the second concert in a trilogy dedicated to truth and reconciliation, Camerata Nova is a vocal group without fear!

Following a spectacular 22nd season, 2018-19 provides a thrilling range of music that highlights Manitoba performers and composers. Highlights include Fallen, the second concert in a series dedicated to truth and reconciliation; a concert featuring an alleged death by chocolate poisoning; and a concert with great Prairie folk and pop standards as well as recent tunes by exciting local artists. Once again, Artistic Director Andrew Balfour and the Camerata Nova team continue to innovate and celebrate choral music from the Renaissance to the present day in all its forms.

Andrew Balfour, Mel Braun

Major Concerts

Fallen
November 3, 2018 at 7:30 pm and November 4, 2018 at 3:00 pm at Crescent Fort Rouge United Church (Pre-concert talks at 6:45 pm on Saturday and 2:45 pm on Sunday)

Experience Notinikew (“he who takes part in war”), a choral fantasy of a Manitoba Indigenous hunter/trapper who signs up to fight in World War I. Join conductor Mel Braun and composer/singer/Artistic Director Andrew Balfour with Indigenous cellist Cris Derksen, traditional drummer/singer Cory Campbell and the Winnipeg Boys’ Choir, among other guest artists. Beauty and drama that is 100 years young. This concert also features Herbert Howells’ Requiem, a masterwork on the death of his son.

Fallen is the second concert in a series dedicated to truth and reconciliation. In 2020, look for our third concert, Captive, expressing the power and sadness of Indigenous incarceration.

The Prairie Songbook 
March 9, 2019 at 7:00 pm and 10:00 pm and March 10, 2019 at 3:00 pm at the Park Theatre

Every few years, we kick back to just have fun with friends and fans. For this special Park Theatre event, Camerata Nova will present great folk and pop standards as well as recent tunes by cool, local artists. From the Wailin’ Jennys to The Guess Who, from Joni Mitchell to Royal Canoe, from KD Lang to JP Hoe, we’ll celebrate our “wheatfield soul” in all its diversity.

Led by Mel Braun and Vic Pankratz and featuring a 4-piece house band of talented musicians, Camerata Nova will turn the Park Theatre into your favourite coffee house. Come join us and blow away your winter blues!

Daniel Cabena

Death by Chocolate: The Life and Death of Henry Purcell
May 4, 2019 at 7:30 pm and May 5, 2019 at 3:00 pm at Crescent Fort Rouge United Church (Pre-concert talks at 6:45 pm on Saturday and 2:45 pm on Sunday)

In this concert curated and conducted by John Wiens, Camerata Nova seeks to showcase choral works by Henry Purcell (1659-1695) and to explore the life of this composer, arguably the greatest of the English Baroque period. Join us to find out how cocoa can kill…

Death by Chocolate offers top quality performers and powerful repertoire – a rare musical treat. Four Winnipeg vocal soloists: Dayna Lamothe, soprano, Jane Fingler, soprano, James Magnus-Johnson, tenor, and Jereme Wall, bass will be joined by early music instrumentalists Claudine St-Arnauld, violin, Jeremy Buzasch, violin, Greg Hay, viola, Yuri Hooker, cello, Andrew Goodlett, bass, and Michael McKay, organ continuo. To add a star attraction and flair to the concert, we are also bringing in the exciting young Canadian countertenor, Daniel Cabena, who specializes in early and contemporary performance.  The countertenor voice has a caché and curiosity that is sure to send many a heart afflutter.  Repertoire will include: Rondeau from Abdelazar; O Sing unto the Lord; My Heart Is Inditing; Hear My Prayer, O Lord; Te Deum and Jubilate in D; plus Three Funeral Sentences.

Other Highlights

Santa Claus Parade Day ConcertSaturday, November 17, 2018 at 2:30 pm in the Atrium of the Manitoba Hydro Building

A light holiday concert with Camerata Nova. The free performance features Christmas classics, Camerata Nova originals, as well as some sing-alongs.

A Concert in Benefit of Sistema Winnipeg  Sunday, November 18, 2018 at 2:00 pm, at St. John’s College, University of Winnipeg

Celebrate the holiday season with the kids of Sistema Winnipeg and Camerata Nova! All proceeds will go to support the Winnipeg Symphony Orchestra’s Sistema Winnipeg inner-city music education program, offered in partnership with Seven Oaks School Division and Winnipeg School Division. Help us to help this innovative inner-city music program.

For more info and to purchase tickets, please visit Sistema Winnipeg.

Tickets

Tickets for individual concerts are available at McNally Robinson Booksellers, by phone (204-918-4547), through our website, or at the door. Subscriptions (three concerts) are $65 (adults), $55 (seniors) and $35 (under 30), with a subscriptions-for-two offering at $125, $105 and $65 respectively. This season, two-concert mini-packages are also available ($35, $30, $20, or for two, $65, $55, $35). Individual ticket prices available on our website.

Donate

Camerata Nova is a registered not-for-profit charitable organization. Exploring, taking risks, and developing exciting new programming, takes time, energy, and money.

Click here to find out more about donating.

 

New and Returning Curators/Conductors

We have made some changes to our creative team. Joining Andrew Balfour and Mel Braun is Vic Pankratz. Vic brings his creativity, experience and knowledge of choral repertoire to our group. You’ll get your first taste of his exciting output with Camerata Nova at Euro Nova. We also welcome the passionate and equally knowledgeable, John Wiens. Recently returned from Montréal, John replaces Ross Brownlee as our early music curator/conductor. John’s first concert with us was the masterful British Mysteries last April. More exceptional music-making can be expected next April with Isolation.

Balfour at Montreal Baroque Festival

The internationally acclaimed group Ensemble Caprice invited Andrew to collaborate on a composition and perform in La Grande Gigue, a Métis-themed concert that they presented at the 14th Montreal Baroque Festival on June 24th. The experience was a major feather in Andrew’s cap and helped Camerata Nova get closer to the movers and shakers in the Montréal music scene. Andrew will be touring with Ensemble Caprice in 2017. If funding allows, it may be presented in Winnipeg… Stay tuned!